Wednesday, 13 November 2013

16mm Update

Been wanting to update for a while now, but have had to hold off until we find how we should display our work this year. Still, been busy with flipbooks, stop motion, flash, maya, after effects etc so it's been an exciting first few weeks!

In the mean time though I applied to Bristol Big Screen to get a piece shown on their huge TV screen. It needed to be accessible to people just walking past the screens, so I thought the 16mm film experiments that I did were perfect for this. They're abstract so allow quick in and out viewing, it doesn't rely on sound and it's short enough for it to be viewed entirely on a quick visit.

To submit it I added titles and a fade, so I thought I'd upload the updated film again in it's new version.



Monday, 5 August 2013

People Watching Storyboard

Forgot to add clearer images/photos of some of my exhibition work, so here's an update covering some of those pieces.

Peach Stone

 


Tried out my ancient tablet today to see if it still works and this was the result. It wasn't too bad for something that's coated in dust. I got a bit too used to Lucy's Wacom, but this should help with any future withdrawal symptoms.

Sunday, 23 June 2013

ELCAF 2013

I had an amazing day yesterday attending the 2nd ELCAF event at York Hall in London! I got to see some great talks, like To publish or to self-publish: that is the question, Character design for comics, toys and animation and I was able to sneak into Matthew Hodson: poetry and pictures (although standing at the back and having bad hearing already, I could only get snatches of it. What I did hear was darkly hilarious though). I came out with a much better understanding about work processes and how difficult the commercial side of illustration can be, but what options are available. Also by hearing about the development of work and the artists' thoughts behind it, it really gave me a better appreciation of their work in general. Plus I saw two animation show reels by Not To Scale and Studio AKA that left me so pumped! Both seem to be trying to push narratives and animation and be original, but in a commercial setting.

As ELCAF is hosted by Nobrow, to celebrate the release of their new book The Burgermat Book by Gavin Lucas, there were lots of burger themed events running, like fake tattoos and a nail bar. Even the hand stamps were burger themed!

If this could stay on my hand forever, I would be happy

Overview from the stage

I'm glad I got there early as by 3pm it got super busy! Everyone there (on the tables and in the talks) was incredibly nice, although this only guilt tripped me into buying more from them! There was a perfect mix of well-known and emerging Illustrators so everyone had something new to discover (and something within their price range).
 

Street Kitchen were there as well serving appropriately named burgers

Lucy's Foghorn Leghorn burger (chicken, bacon, coleslaw & lettuce in a brioche bun)

I had the Butch Cassidy Burger made especially for ELCAF (cheeseburger, lettuce, red onions, mustard & salsa in a brioche bun).


Possibly the best and the messiest burger I have ever eaten

Wall painting as you walked in. ELCAF design by Andy Rementer

Lucy (who seemed to avoid me for most of the day)

Me with my wares

One of the best moments of the day was accidentally meeting Bernardo Carvalho at the Planeta Tangerina table when I bought Praia-Mar and getting my book signed!

I also got to see most of the Secret Walls drawing fight between Luke Pearson and Jack Teagle.

Everyone crowded round for the start of the fight
 Progress:






I had to leave at this point (about 3/4's of the way through), so I didn't get to see the finished wall. It would have been amazing to capture it being drawn as a Vine, but Lucy said no.

Everything I got from ELCAF (inside the tube is a Matthew Hodson screenprint)

Overall it was a fantastic event! The only downside was that the sound on the projector wasn't working in the morning, so the schedule got a bit messed up...and I probably spent too much money.

Foundation Art Exhibition

On Friday the private view of Chesterfield College's Art Exhibition was held, which included works by Foundation and Extended Diploma art students from all specialisms.

It was a great evening and really busy. So much so that everyone and everything started to overheat a bit (including unfortunately the 16mm film projector that I was using so it wouldn't start up).

Despite this I had an amazing time - it was great to see everyone's work, especially from the other specialist areas as I'd not seen any of their pieces before. I was surprised by the textile pieces the most - a lot had some lovely illustrative elements, mixed together with texture and shape, that looked incredible.

Here's some photos of my exhibition space (in the Illustration room) with the projector running.



Looped with spools suspended from the ceiling


My final outcome animation was also shown on the Exhibition showreel.

Highly recommended viewing - the exhibition is on at Chesterfield College from Monday 24th June - Friday 28th June 2013, 9am - 5pm each day.

Saturday, 15 June 2013

People Watching

Final Outcome animation for the confirmatory stage and my project on human behaviour.




Tuesday, 11 June 2013

Vine Animations

Finally joined Twitter and so now I can upload my Vine animations to Blogger!

(It does take a minute or so to load them all up though)






















Sunday, 9 June 2013

Original Rorschach Ending

My People Watching animation ends by the figure disintegrating into Rorschach like ink blots before fading away. Initially this was animated using the mono print plates, but it was extremely messy and I had problems cleaning around the ink blots, so it all looked a bit rough and it all ended a bit too quickly. I didn't have enough control to be able to move the ink blots in a way like the oil and ink tests or to even create defined shapes. 

Here's a video of the original ending, which has since been re-animated and extended using Photoshop:


Zoom Test

Incredibly quick test of mono print plate and light box animation technique, just to see whether movement is clear enough and if the camera can zoom out well or not.


Friday, 31 May 2013

Linocut Flipbook


Mixed feelings about this - it was quite a long process and it's sometimes a bit difficult to flip because of the elongated shape. I tried for 3 speeds of walking, but it's not too obvious in so short a time space. Still the actual linocuts came out great - I thought they'd be too small to show any detail and despite not strictly 'moving', they were easy and quite enjoyable to use.

They made nice lino prints by themselves as well. This set came out a bit blurry because there was too much ink, but the colour and line combination still looks good.



Sunday, 19 May 2013

Oil, Ink, Water and Sand

More experiments with materials:

Colour Inks and Oil

Strangely the longer you leave the inks, even without any interaction, the more they merge into just one, almost black colour. I thought there would be clear separation and bright blocks of colour, but they stayed quite small to begin with. The biggest problem was that I think I added too many different colours, which probably caused the quick merger later on.


Colour Inks Silhouette

Came out a lot darker than I thought it would, although I like how the ink creates layers of sizes and colours - gets a bit of depth in there.


Colour Inks, Oil and Sand

Had to be really tentative with this - made it hard to get any good movement out of the inks, but the colours help to make it more interesting.


Ink and Water

Accidental, but I liked the action of the ink diluting into the water.


Saturday, 11 May 2013

Mono-paint Experiments

Just trying out some more mono-paint tests, but I'm really liking the results. It seems quite versatile, especially as the printing ink doesn't dry out quickly. Images appear a lot clearer on a light box as well.



Mono-paint Walks

Initially this was a test to see how well images would show up when drawn on a mono-print plate and placed on a light box, but then it became a test to see if this process could cope with small images as well as big, expressive ones for scenes.

It did quite well:


Really missed working expressively though, which ended up in a bit of a crazy, experimental animation afterwards.

The walking was good, but after trying out loops before I wanted to see if this action could be made convincingly into one. It seems to run quite smoothly.


Linocut Loop

Love the look of this, especially the grainy film type quality at the top, but it was a bit exhausting to do at the same time as trying to make a linocut flipbook. Plus whereas the usual worse that I can do is get covered in a material (lately it's been seemingly permanent ink), with this I ended up cutting my hand instead of the lino...as well as getting stained by ink. Worth it though and I'm still surprised at how fluid the motion is.



Thursday, 9 May 2013

Printing Ink Painting Animation

Just a quick test - love the energy, but needs a bit of refining for a clearer image. Kind of interested in the shine on the plate as well. 'Printing Ink Painting Animation' seemed too long for a technique name, so I have nicknamed this process 'mono-paint'.



Wednesday, 8 May 2013

Oil vs Ink

Experiments with oil and ink separately reminded me of the old oil and water resistance test that you'd do in primary school. I wondered whether this might look like a Rorschach test if water based ink was used instead of water - the effect is quite nice.


 
But it's even nicer with a silhouette.


Projector Tests

Few experiments with the projector - just trying to see what happens when 16mm film is projected onto oiled paper, through glass and when using coloured plastics.

Oiled Paper

 

 Painted Glass

 

Colour Plastic and Painted Glass (directly in front)

 

Colour Plastic on Painted Glass

 

Colour Plastic on Oiled Paper

 


Tuesday, 7 May 2013

Food Court Etiquette - Surreal

(Literal) Extension of the live action Food Court man. I wanted to play around a bit with cuts and the psychology aspect of his behaviour, in particular just how strange it was to see him licking his hand this way. Not sure whether he was as engrossed with it as this video makes him out to be...this probably reflects badly onto me if anything...



Thanks again Lucy for the help.

Food Court Etiquette - Live Action

I was amazed to find out that the original series of John Ryan's Captain Pugwash was broadcast live, with the movement being done directly in front of camera with the use of levers. I wanted to have a go at this method of animation and mistakenly set about it thinking that it wouldn't be too hard...Incidentally this took 6 tries to get right and also produced quite an extensive blooper reel.



Gross Man - Now with added 16mm film background! Try and spot the errors!



Blooper Reel



Thanks go to Lucy for masterfully operating two of the levers.